Posts filed under 'Radio'
August 6th, 2010
It’s long been said that perception becomes reality, and for much of our nation’s history, mass media has not been kind to minorities — in particular, the African-American community. From Birth of a Nation (where the Ku Klux Klan were portrayed as crusading heroes) to the bumbling, shiftless TV characters of Mantan Moreland and Stepin Fetchit, early film and television did much to portray black America as an underclass deserving of pity and ridicule. But images were also used as weapons to advance the cause of civil rights, as evidenced by the power of photos of the horrifically-beaten Emmit Till to news coverage of Martin Luther King Jr.’s “I Have a Dream” speech in D.C.
We’ll be talking about landmark TV shows and films that have inspired discussions on race — from All in the Family to The Cosby Show to Spike Lee’s Bamboozled — as well as look at how race has been used in the political arena.
My guest is Maurice Berger, senior research scholar at the Center for Art, Design, and Visual Culture at the University of Maryland Baltimore County, and senior fellow at the Vera List Center for Art and Politics of The New School. He’s also the author and curator of the new book and exhibit titled For All the World To See: Visual Culture and the Struggle for Civil Rights. You can access the online portion of the exhibit here, while the actual project is currently stationed at the International Center of Photography in New York City.
To listen, head to CHIRP’s Split Reel page.
July 29th, 2010
How has Generation X been defined in film over the past few decades, from the landmark John Hughes films of the ’80s through the “slacker” movies of the ’90s and beyond? What distinct qualities do Gen X films possess which differentiate them from those of previous (and later) generations? We’ll be discussing everything from Pretty in Pink to Before Sunrise and Before Sunset. My guest is Christina Lee, lecturer at the Curtin University of Technology in Perth, Australia, and the author of the recent book Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema.
To listen, head to CHIRP’s (Chicago Independent Radio Project) website here.
September 9th, 2009
How has the cinematic genre of romantic comedy been reflective of the evolution of the courtship process over the years? What do these sorts of movies say about the institution of marriage? And how have they depicted changing gender roles within relationships? We’ll examine a host of iconic romantic comedy films over the past few decades, from Annie Hall to When Harry Met Sally, to more recent films that feature male protagonists, such as Swingers and High Fidelity. My guest is Stacey Abbott, senior lecturer in film and television studies at Roehampton University in London, and the co-editor of the recent book Falling in Love Again: Romantic Comedy in Contemporary Cinema. [Originally broadcast on WLUW's Under Surveillance in September 2009.]
Romantic Comedy in Contemporary Cinema:
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August 11th, 2009
The AMC drama Mad Men will begin its third season within the coming week, and so it’s a pertinent time to turn our sights on this critically-acclaimed series. Mad Men focuses on the Sterling Cooper advertising agency, set against the backdrop of 1960s America, and creator Matt Weiner uses the show as a vehicle for social commentary on evolving social mores, gender roles, and the illusions of both personal identity and domestic relationships. Returning as my guest is freelance writer and pop-culture critic Leonard Pierce, who has written about film and television for numerous national publications, and also is a regular contributor to The Onion’s A/V club. (Information on Leonard’s projects can be found here.) WARNING: Numerous spoilers within! So if you haven’t yet seen the first two seasons of this show, be sure to watch before listening… [Originally broadcast on WLUW's Under Surveillance in August 2009.]
July 7th, 2009
Summer has long been synonymous with action blockbusters as far as Hollywood is concerned, for better (Predator) and for worse (the new Michael Bay Transformers film). What cinema genres gave birth to the American action film? How have action movies evolved based on the changing social and political climates of each era? And what sorts of characteristics are hallmarks of standout action films?
From The Road Warrior to Cobra, we’ll tackle it all — my guest is Eric Lichtenfeld, a film scholar who has contributed commentary tracks to landmark action films such as Predator and Die Hard, lectured at Loyola Marymount University, and is the author of the recent book Action Speaks Louder: Violence, Spectacle, and the American Action Movie. [Originally broadcast on WLUW's Under Surveillance in July 2009.]
The American Action Film:
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June 9th, 2009
How have horror films been reflective of the times in which they’ve been made? What sorts of differences do we find between American and foreign perspectives on horror? How has the depiction of religion in horror evolved over the years? My guest is Kendall Phillips, a professor of communication and rhetorical studies at Syracuse University, and the author of Projected Fears, which examines 10 landmark horror films (from Pyscho and The Exorcist to Silence of the Lambs and Scream) and why they resonated with filmgoers during their respective eras. [Originally broadcast on WLUW's Under Surveillance in June 2009.]
Horror Cinema in Cultural Context:
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May 13th, 2009
Returning as my guest is Loyola professor of political science Alan Gitelson, as we cover all sorts of recent happenings within the world of politics. We’ll discuss everything from the passing of longtime GOP leader Jack Kemp to the defection of Pennsylvania Senator Arlen Specter to the Democratic Party — as well as examine the recent Pew Research Center studies regarding the public’s view of the early days of President Obama’s administration. [Originally broadcast on WLUW's Under Surveillance in May 2009.]
Spring 2009 Political Roundup:
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April 22nd, 2009
How do we define “happiness?” How has that search been depicted in film and television throughout the years, through introspective characters who seek greater meaning in their lives (American Beauty), to displays of marital trauma and the breakdown of long-term relationships (The Ice Storm, War of the Roses)? Has the defining of the American Dream as one based on material wealth had a deleterious effect on our well-being? And what does the increasing presence of therapists in society (Mad Men, Ordinary People, Sopranos) say about our sense of satisfaction with life? Returning as my guest is Molly McAshan, a Chicago-area mental-health professional and a film blogger. [Originally broadcast on WLUW's Under Surveillance in April 2009.]
April 6th, 2009
The classroom has been a cinema battleground for students and teachers alike — from tales of social outcasts (Welcome to the Dollhouse, Napoleon Dynamite) to crusading educators (Stand and Deliver, Dangerous Minds), and examinations of school archetypes (The Breakfast Club, Clueless, Mean Girls). How have the depictions of the classroom in film evolved throughout the years? Has there been a shift in emphasis from stories involving athletics to ones featuring scholarly pursuits? How have the classroom archetypes of students shifted over time? And why do we see a great many films about high-school students, but comparatively few about their younger counterparts? Returning as my guest is Tim Shary, director of Film and Video Studies at the University of Oklahoma, and author of the book Generation Multiplex, an examination of youth culture in film. [Originally broadcast on WLUW's Under Surveillance in April 2009.]
The Classroom in Film:
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March 26th, 2009
In commemoration of the recent conclusion of the critically-acclaimed Battlestar Galactica television series, here is an interview I recorded with Robert Thompson near the end of 2006 covering all sorts of issues discussed on the show. We’ll be examining the political and religious themes depicted in the series, but don’t worry if you haven’t seen Battlestar; we’ll also be looking at the show in the context of larger pop-culture questions. What makes a show (i.e. the original BG) dated? Do some genres of fiction age more quickly than others? And why is science-fiction a particularly convenient medium through which to discuss societal issues? Robert Thompson is the founder of the Center for the Study of Popular Television at Syracuse University. [Originally broadcast on WLUW's Under Surveillance in 2006.]
Battlestar Galactica :
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