August 26th, 2008

The Continuing Evolution of the Graphic Novel in Film, w/guest Leonard Pierce

These certainly aren’t the superheroes our parents grew up watching. The critical and box-office smash The Dark Knight is Exhibit A of how superhero films are now free to aim squarely at adult audiences — further proof that their graphic-novel counterparts have cemented their place as a respected literary genre. Not to be outdone, the much-anticipated Watchmen film, based on Alan Moore’s landmark comic series of the 1980s, will hit screens next year… along with a slew of other movies based on iconic comic-book characters.

Interestingly enough, however, comics outside of America typically deal with a much wider range of stories than our mostly-crimefighting fare. Marjane Satrapi’s autobiographical series Persepolis , about her experiences growing up in Iran during the Islamic Revolution, achieved global acclaim, while in contrast, similarly-themed comics here in the States like American Splendor and Ghost World are largely considered underground press.

Returning as my guest is freelance writer and pop-culture critic Leonard Pierce, a contributor to Nerve.com’s ScreenGrab; information about Leonard’s writing and various projects can be found at his blog. [Originally broadcast on WLUW’s Under Surveillance in September 2008.]

 
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1 Comment

  • 1. Austin  |  September 20th, 2008 at 4:54 pm

    in re: difficulties getting a Luke Cage movie made

    I think the failure of the Blade franchise probably hurt its chances. The Blade movies started pretty strong, especially the first one which was basically low budget horror that blossomed into a sleeper hit and spawned a franchise. But by the time the third movie and the TV spinoff bellyflopped, Marvel was probably pretty gun-shy about starting a new series with a similarly themed “Badass Black Dude” kind of hero.

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Kevin Fullam is a writer and researcher, with extensive experience in fields ranging from sports analytics to politics and cinema.

In addition, he has hosted two long-running radio series on film and culture, and taught mass media at Loyola University.

Episodes of his two shows, Split Reel and Under Surveillance, are archived on the Radio page.